#THE LEGEND OF TARZAN FREE ONLINE MOVIE PUTLOCKER LIVE SERIES#Not counting the mo-capped German film with Kellan Lutz, or the swiftly cancelled WB TV series of the early 2000s starring a pre- Vikings Travis Fimmel, the last actor to swing on a vine with Jane was Casper Van Dien in 1998’s Tarzan And The Lost City… which had its budget slashed during production, limped to a paltry $2m at the box office, and has never even been available on DVD in the UK. We haven’t, however, seen a live-action Tarzan on a cinema screen so far this millennium. We played Tarzan when I was a kid, and jumped from tree to tree and did shit.” “Gordon Scott was my Tarzan on the big screen, but I watched Johnny Weissmuller on TV. Jackson, who plays US envoy George Washington Williams in Yates’ movie. “I was a Tarzan fan that’s why I came to this,” says Samuel L. The most popular series, which began with Johnny Weissmuller in the title role in 1932 and ended with Mike Henry in 1968, ran to 28 films.Īfter that, the pace began to slow, but there were still live-action TV shows, school-holiday re-runs of the old films, and occasional cinematic adventures: the ill-fated erotic take with Bo Derek in 1981 ( Tarzan, The Ape Man) Hugh Hudson’s handsome-but austere Greystoke: The Legend Of Tarzan, Lord Of The Apes in 1984 and Disney’s animated 1999 version. And there were movies: at least 90 between the silent era and today. There were comics, cartoons, stage plays and radio serials. Other authors (among them Fritz Leiber, Philip José Farmer and Andy Briggs) later wrote even more. His creator Edgar Rice Burroughs alone wrote more than 40 novels and short stories about the loin-clothed jungle adventurer between 19. During the 20th Century the lost, ape-raised English lord was ubiquitous. And I felt that, just as Batman had been through reinventions, Tarzan was ready for that too.” Tarzan had gone out of fashion, and wasn’t necessarily ever done that well in its earlier incarnations, but they were delightful in their way. “I just liked the idea of a really old fashioned and joyful romantic action-adventure picture. “ The Legend Of Tarzan felt the most enjoyable of everything I’d been reading,” Yates tells Empire. The director who’d just brought one of cinema’s most successful series to a spectacular conclusion had his pick. Stacks of screenplays were coming his way – “Lots of sci-fi, lots of things blowing up”, he says. After four films, half a decade, and north of $4 billion in box office, he’d certainly earned a break, but his thoughts were nevertheless already turning to his next project. The director had just said goodbye to Harry Potter with the series’ final instalment, The Deathly Hallows Part 2. Five years ago, David Yates might justifiably have taken a very long holiday.
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